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December 5, 2022 / 2,698 notes
December 5, 2022 / 6,951 notes
December 5, 2022 / 73,329 notes

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kitsunetsuki:
“John Rawlings - Cosmopolitan Magazine (May 1966)
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November 4, 2022 / 101 notes

berniesrevolution:

One thing the left needs to do, I argued recently, is a better job of both engaging conservative arguments and using all forms of media effectively. I specifically mentioned YouTube, a dark realm that we have essentially ceded to the other side. YouTube is overflowing with videos from people like Dave Rubin and Jordan Peterson and Dennis Prager (plus about a zillion miscellaneous reactionary ranters), but who is doing well-produced left-wing explanations of why all of these people are full of crap?

Well, I can tell you who is doing them. ContraPoints is doing them. And she’s doing them very well indeed. She’s on a one-woman blitzkrieg against the YouTube right. She knows how to use the medium as well as anybody, and she’s found a brilliantly inventive and totally unique way to convey left political ideas.

ContraPoints produces YouTube videos. They are often quite long, and they are frequently strange. When I was first showed them several months ago, I had absolutely no idea what to make of them. Each is about a political topic, and is usually anchored by a monologue from Contra explaining the issue at hand. But they are unlike anything else I’ve seen. Contra argues with multiple versions of herself (a Stalinist alter ego, a fascist alter ego, an anarchist alter ego, a liberal professor) in a dozen different costumes. An explanation of how capitalism artificially manufactures desires might suddenly turn into a parody advertisement for suppositories. A video critiquing Jordan Peterson does not begin, as one might assume, with his dreary books and lectures, but with Contra as a bewigged French aristocrat called Lady Foppington discoursing on the sovereign faculty of reason. To my utter delight, Contra’s explanation of what’s wrong with capitalism does not end with the usual call for proletarians to take up arms but with Contra at the piano, serenading herself with a rendition of Sam Cooke’s “Bring It On Home To Me” (one of my favorite songs).

But the bizarre and unpredictable aspects of Contra’s videos in no way compromise her analytical rigor. She understands right-wing arguments from front to back, and presents them far more articulately than most of those who espouse them sincerely. She concedes points where they’re valid, and is not shy about criticizing the left. (In fact, she has an entire video examining why some left-wing rhetorical tactics may be, shall we say, sub-optimal in building broad public support). On topics ranging from gender identity to free speech to Nazi-punching to trans-exclusionary feminism to Peterson’s stupid lobster thing and his concept of “postmodern neo-Marxism,” she painstakingly sorts through fallacies and flays bad arguments. She’ll tell the alt-right why their fears of “white genocide” are morally disgusting and statistically illiterate, or she’ll use the history of redlining and housing discrimination to show exactly howhistoric injustices created today’s racial disparities. And it’s fun all the way. She’ll explain the concept of race with an impersonation of an early 19th century phrenologist, or expose the cruelty of fat-shaming while recreating a 1980s home exercise video. And sometimes she’ll do these things in German or Japanese, or from the bathtub, or through a parody of Dave Rubin’s slobbering sycophantic interview show.

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will have to come back to this someday

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